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The walls of the maze (HMP) are smaller
than I expected. They remind me of past
visits to concentration camps in central
Europe. It was a surprise to me how small
these wire fences surrounding the camps
are. It doesn't take much to confine and
kill. It doesn't seem to take much to cage
a person.
I was invited to the Maze as a visiting
artist by Mike Moloney, Development Officer
for the Prison Arts Foundation, a charitable
organisation dedicated to bringing all types
of creative activities to prisoners, ranging
from theatre workshops, poetry groups, paint
magic classes and craft techniques such
as fly fishing tying.
One such project is the 'Artist in Residence'
programme. Eight visual artists (myself
included) from a variety of artist professions,
have been invited to do a one-month residency
at the Maze. The residency is open work
either in collaboration with the prisoners
or use the prison/prisoners as subject-matter.
Trained as a sculptor, I also work in installation,
photography, performance, video and sound.
It took me a little while to decide which
artistic language to focus on for this project.
Due to strict security considerations, cameras
and video equipment are not allowed into
the Maze. I would like to create a number
of animation pieces with the prisoners,
and hope to circumvent the security problem
by making a paper 'What the Butler Saw'
moving picture machine, and then video the
completed works 'outside' with an edited
sound track.
More recently, when Mike spotted on my
CV that I had experience as a curator, he
asked if I would organise an exhibition
of art from the prisons HMP Maze, HMP Magberry,
HMP Milligan, and the Young Offenders Centre,
Hydebank. The Prison Arts Foundation works
in varying degrees with all four establishments.
Once my security clearance had been confirmed
- which entailed filling out an in-depth
form, where questions on what I had for
breakfast would not have looked out of place
- I set out to investigate.
Prisons are cold ranging windy places on
the outside, isolated and hot on the inside.
An experienced visitor wears many warm,
easily removable layers, wrapped in a water
proof. Once inside, the walls seem overly
thick and the cells are very small. The
tea, like prison humour, is very strong,
verging on the black.
I visited all of the prisons, meeting the
prison staff, the art teachers and of course
the people who created art in prison - the
artists: thirty-five of whom took part in
the recently launched exhibition, CAPTIVATING,
Art From Prison. CAPTIVATING is a selected
exhibition, a presentation by Loyalist and
Republican prisoners, as well as the wonderfully
named O.D.C.s, which translates as Ordinary
Decent Prisoners. The Young Offenders Centre,
Hydebank, was also represented with an installation
titled Plaster Dogs and Soft Hearts. Each
work is accompanied by a signature b/w photographic
portrait of the artist's hands.
Within these prisons there is a support
system that allows prisoners to enhance
their education, which includes art classes.
Though the resources on offer to prisoners
practising art are limited due to finding
security considerations, what struck me
is the high standard of art being produced.
Art, for artists, is about process, and
this holds true for people I met in prison.
The process, more than the finished piece,
is very important. This makes sense when
you consider the environment; like a good
book, making art can take the prisoner to
another place.
In the words of an ex-prisoner:
"Everybody has something, you see,
no matter how bad they are. And prison is
a place to let it out, you know what I mean?
If you don't find it anywhere in the world,
you'll find it there."
Currently, prisoners are a very topical
subject in Northern Ireland. Soon this media
interest will subside, but people will still
be entering the prisons, or returning to
society. The Prison Arts Foundation will
continue through the various creative languages
of the arts, to facilitate situations where
prisoners can express themselves. Good art,
for me, encourages people to look and think
about life in different ways. I believe
that art in its most effective form ( I
classify art as writing, film, theatre,
music, painting, etc.) can help people to
question themselves and perhaps to define
more positive solution.
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